Lady Bird Review: Greta Gerwigs Coming-of-Age Story Is Simply Irresistible - 27reservation

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Lady Bird Review: Greta Gerwigs Coming-of-Age Story Is Simply Irresistible


Just when you think theres nothing original or exciting left to mine from a coming-of-age story, along comes the totally irresistible Lady Bird a reminder that no genre is played out when theres a new artist around to see it with fresh eyes. Screenwriter Greta Gerwig, in a spectacular solo directing debut (she co-directed Nights and Weekends with Joe Swanberg in 2008), has carved a brilliantly hilarious and heartfelt script out of her own teen life. Not a punch is pulled, and sentiment takes a holiday. All thats left is blunt honesty.

Gerwig, 34, best known for her stellar performances in the films of Noah Baumbach (Frances Ha, Mistress America), doesnt appear in Lady Bird. Shes left the job of playing her teen self to 23-year-old Saoirse Ronan, a miracle of an actress (see Atonement, Brooklyn). She plays Christine McPherson, a high school renegade who insists that Lady Bird is her given name. (As in, she gave it to herself.) Like Gerwig, McPherson is growing up in Sacramento, California, circa 2002, with acne, a dye job and a house on the wrong side of the tracks. Mom (Laurie Metcalf, incredible) is warm and scary; Dad (Tracy Letts) is jobless and depressed. She dreads the notion of staying in NorCal almost as much as she fears of having unspecial sex.

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Its senior year for Lady Bird at a Catholic high school where she sinfully snacks on communion wafers, puts a Just Married sign on a nuns car and receives warnings from the mother superior (Lois Smith) to rein in her ambitions. Maybe she should also audition for the school musical, Stephen Sondheims Merrily We Roll Along, about youthful idealism gone sour. McPherson confides in her best friend Julie (Beanie Feldstein) about her need to escape her home town she calls it the midwest of California for New York; she theorizes that college enrollment will be down post 9-11. As for her crushes sexually confused theater geek Danny (Manchester By the SeasLucas Hedges) and uber-cool musician Kyle (breakout star Timothe Chalamet; wait until you see him in the upcomingCall Me By Your Name) things dont work out the way Lady Bird plans. As if.

What the film ultimately comes down to is a battle royale between Lady Bird and her mother, Marion. A nurse who works double shifts to support her family, the matriarch has no patience for her daughters big schemes.The two women are cut from the same stubborn oak, but their love is indisputable.Metcalf, fresh off her Tony win for Broadways A Dolls House: Part 2, merits serious Academy attention in her richest film role to date. Shes funny, fierce and all together magnificent. And Ronan matches her beat for beat; with her expert comic timing and nuanced dramatic shading, she is, quite simply, astonishing. The actress lets us into the mind and heart of Lady Bird, right down to her frayed nerve endings.

Sam Levys evocative cinematography and Jon Brions just-right score add to the mix, along with such period hits as Alanis Morissettes Hand in My Pocket and Dave Matthews Crash Into Me. But Lady Bird isnt selling rose-colored nostalgia its after the truth even when it hurts. And as a filmmaker, Gerwig proves herself a blazing talent, generous and tough with all the people she puts on screen. She lets us joke with them and ache with their insecurities, finding the ferocity and fragility in characters on both sides of the age divide. Lady Bird is impossible not to love. Gerwig has turned her personal story of a small-town girl into a full-blown triumph and one of years best films.

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